“Art is not only a useful thing… but is, certainly for all dwellers in large towns, a necessary for health. Neither the community nor the individual, who is not affected by the influence of Art, can possibly live a full healthy life in a modern town.”
Thomas Coglan Horsfall, The Need for Art in Manchester, 1910
From the perspective of 2013, Thomas Coglan Horsfall’s 1910 prescription of a regular dose of art for the inhabitants of Manchester sounds remarkably prescient. Today, the idea that access to the visual arts can deliver diverse benefits, beyond aesthetic enjoyment alone, to both the individual and their community is established orthodoxy among cultural practitioners and policy-makers. Indeed, the quest to produce evidence of the social, developmental and therapeutic value of cultural participation drives much of the current academic and institutional research into the production of cultural value.